Daftar Harga Umroh VIP Desember 2015 di Jakarta Barat Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Daftar Harga Umroh VIP Desember 2015 di Jakarta Barat Alhijaz Indowisata didirikan oleh Bapak H. Abdullah Djakfar Muksen pada tahun 2010. Merangkak dari kecil namun pasti, alhijaz berkembang pesat dari mulai penjualan tiket maskapai penerbangan domestik dan luar negeri, tour domestik hingga mengembangkan ke layanan jasa umrah dan haji khusus. Tak hanya itu, pada tahun 2011 Alhijaz kembali membuka divisi baru yaitu provider visa umrah yang bekerja sama dengan muassasah arab saudi. Sebagai komitmen legalitas perusahaan dalam melayani pelanggan dan jamaah secara aman dan profesional, saat ini perusahaan telah mengantongi izin resmi dari pemerintah melalui kementrian pariwisata, lalu izin haji khusus dan umrah dari kementrian agama. Selain itu perusahaan juga tergabung dalam komunitas organisasi travel nasional seperti Asita, komunitas penyelenggara umrah dan haji khusus yaitu HIMPUH dan organisasi internasional yaitu IATA. Daftar Harga Umroh VIP Desember 2015 di Jakarta Barat

saco-indonesia.com, Timnas Indonesia U-23 akhirnya mampu untuk mengakhiri perlawanan alot Malaysia U-23 di babak semifinal SEA Games 2013, di Stadion Zeyar Thiri Naypyitaw, Myanmar. Kemenangan Indonesia ini telah ditentukan lewat babak adu penalti.

Setelah hanya mampu bermain imbang 1-1 di waktu normal. Laga semifinal antara Malaysia melawan Indonesia terpaksa harus ditentukan lewat perpanjangan waktu.

Pada babak pertama, Indonesia mampu bermain dominan atas Harimau Muda Malaysia. Meski beberapa kali mampu untuk menciptakan peluang melalui Ramdani Lestaluhu, Fandi Eko Utomo hingga tendangan Yandi Sofyan yang telah membentur mistar gawang Malaysia, Garuda Muda hanya mampu untuk mencetak satu gol melalui Bayu Gatra.

Gol dari Bayu Gatra tersebut telah tercipta pada menit ke-30 setelah bekerja sama satu dua dengan Fandi Eko Utomo. Tanpa cela, pemain Persisam tersebut juga mampu untuk menaklukkan kiper Malaysia, Izham Tarmizi.

Di babak kedua, giliran Malaysia yang ingin mencoba untuk dapat bangkit mengejar ketertinggalan. Setelah beberapa upaya dari Saarvindran Devandrn dan Fadhli Shas belum dapat menemui sasaran, Thamil Arasu akhirnya mampu membawa petaka bagi Indonesia. Gol yang telah tercipta pada menit ke-85 tersebut berawal dari situasi tendangan pojok yang tak bisa diantisipasi dengan baik oleh pertahanan Garuda Muda. Pertandingan pun akhirnya dapat dilanjutkan lewat perpanjangan waktu.

Di babak perpanjangan waktu, baik Indonesia maupun Malaysia mulai tampil lebih agresif. Dari kubu Garuda Muda, beberapa upaya dari Andik Vermansah dan Nelson Alom belum dapat menemui sasaran.

Begitu pula dengan upaya Harimau Muda melalui Thamil Arasu dan Mohn Rozaimi juga masih belum mampu untuk menembus kokohnya pertahanan Garuda Muda. Skor 1-1 pun telah bertahan hingga babak perpanjangan waktu berakhir. Hasil ini telah membuat laga harus ditentukan lewat adu penalti.

Di babak adu keberuntungan, Indonesia mampu keluar sebagai pemenang. Kurnia Meiga Hermansyah telah menjadi pahlawan Indonesia setelah menepis tendangan dua eksekutor Malaysia, Thamil Arasu dan Shahrul Saad. Tiga eksekutor Malaysia yang telah berhasil adalah Nazmi Faiz, Fadhli Shas dan Rozaimi Ab Rahman.

Sedangkan dari kubu Indonesia. Hanya Manahati Lestusen yang gagal untuk menjalankan tugasnya dengan baik. Empat eksekutor lain, Alfin Tuasalamony, Diego Michiels, Yandi Sofyan dan Ferinando Pahabol mampu untuk melaksanakan tugasnya dengan baik.

Dengan hasil tersebut, Indonesia mampu untuk membalas kekalahan di babak final SEA Games dua tahun lalu atas lawan yang sama, sekaligus telah meraih satu tiket ke partai puncak SEA Games 2013. Di partai final, Indonesia juga masih menanti pemenang antara Thailand melawan Singapura.

Susunan pemain

Malaysia U-23: Izham Tarmizi (GK), Azrif Nashrulhaq, Fadhli Shas, Shahrul Saad, Zubir Azmi, D Saarvindran ( Izzaq Faris), Irfan Fazail, Nasir Basharuddin (Nazmi Faiz), Nazirul Naim (Rozaimi bin Abdul Rahman), Hazwan Bakri , Thamil Arasu.

Indonesia U-23: Kurnia Meiga, Alfin Tuasalamony, Syaifuddin, Manahati Lestusen, Diego Michiels, Egi Melgiansyah (Nelson Alom), Rizky Pellu, Bayu Gatra, Fandi Eko Utomo, Ramdani Lestaluhu (Andik Vermansah) (Ferinando Pahabol), Yandi Sofyan.


Editor : Dian Sukmawati

INDONESIA RAIH TIKET FINAL

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

Native American Actors Work to Overcome a Long-Documented Bias

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